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Title: Kate Daniels
Source: Kate Daniels
More informationKate Daniels is a Richmond-born poet and graduate of the
University of Virginia who has been awarded the Pushcart Prize, the Crazyhorse Prize
for Poetry, and the Louisiana Literature Poetry Prize, as well as the
James Dickey Prize. In addition to editing Out of
Silence: Muriel Rukeyser's Selected Poems (1992) and
coediting a volume of critical essays on Robert Bly titled Of Solitude and Silence (1982), she has
published three volumes of original poetry: The
White Wave (1984), The Niobe
Poems (1988), and Four Testimonies (1998).
Born in a working-class section of Southside Richmond in 1953, Daniels is the daughter of a British war bride, Jean Graham, who divorced her American-serviceman husband after two years before marrying Daniels's father, Harry E. Daniels, in 1952. The first member of her family to attend college, Daniels earned a bachelor's degree and a master's degree from the University of Virginia (1975, 1977) and a master of fine arts degree from Columbia University (1980). She served as a fellow at Harvard University's Bunting Institute and has taught creative writing at Wake Forest University and Bennington College. Daniels has been married twice and has three children from her second marriage, to Geoff Macdonald. She converted to Catholicism, and religious matters often enter her work.
Title: Daniels, Kate
Source: University of Pittsburgh Press
More informationAn associate professor of English and an associate dean of arts and science at
Vanderbilt University, Daniels explores in her poetry women's place in
contemporary American and southern culture, especially through her own
perspectives as both a poet and a mother. A formally exacting
poet, she works in a range of meters, but is careful not to fall into
form for form's sake. Her poems are remarkably concentrated with
narrative details, making relatively short pieces read like
full-bodied stories. Her style is often prose-like, even
conversational, though it never loses sight of the driving energy of
the underlying rhythms, the way "common" southern speech breaks across
the lineation. Daniels's poetry has been characterized equally by aesthetic as well as ethical concerns throughout her career.
Although her work never devolves into the propagandistic, she is
unmistakably a political poet, using her verse to explore cultural
tensions massed around gender and class inequalities.
Her first book of poems, The White Wave (1984), which was honored with the Agnes Lynch Starrett Award, established Daniels as an emerging writer. The subject of her second volume, The Niobe Poems (1988), is the drowning of Daniels's five-year-old nephew. She adapts the Greek myth of the tragic mother Niobe as a figure for the anguishing complexities of love and death. Four Testimonies (1998) draws from a remarkably rich range of subject matter, from the intricacies of modern spirituality to the horrors of natural disaster to the enduring pains and pleasures of motherhood. Daniels's fourth collection of poems, entitled My Poverty, will return to the Richmond cityscape of her youth. This collection is distinct in the general history of southern poetry in its devotion to recovering the urban, working-class South, presenting a vision of the literal and cultural poverty of working-class Richmond. Daniels is also working on a series of poems that investigate convergences of psychoanalysis and poetry.
Email SignupFirst published: February 8, 2008 | Last modified: June 16, 2009